picture post; post with link and artist list; wall event post; Post Terrain new work; Ye Olde Sandee Moore Post Terrain computation integrated through objects, pulse rules in respiratory sequence what is this thing - what does it do (where the environment meets a remade one meets a remade one meets a remade one) life as a minimally electric mode of being - enough to power what is slight // inapproachable // alien computer newly styled plug-and-play biopolitics sculptural interaction meets code glitches contructed into environments - entropic sound, limited lifespams, non-dimensional spaces the organismal becomes an inevitable space of reckoning for the technological - bringing the technologies into evolutionary space, what happens (bio art meets the oblique) the science behind objects - the stories behind them - how much this doesn't matter and then things are there, present, inscrutable gonzo biology (the controller (screen, code) has no life but its deadness is entirely unsavoury) sustainable interactors - grassroots comrades built of free-range laboratory elements how do computers evolve - saturate them, glitch them, see how different they are - see how our phenomenology always wants to relate them to us - everything as us in whatever theatre > evolving from the beginning flesh has nothing to do with computation and yet it is everywhere - flesh has everything to do with computation, creates all its mathematical abstractions the flesh of plants (computation life cycle) the relation of science to human - to relation of a world so overcreated that we don't know what it is anymore organism mysteries - biopunk orpheus resurrected via electricity from the relationship which was a better fiction (a place for incomprehensible gestures) it doesn't matter that animals live in different worlds from us - look, it looks like they're sad, or happy - mythologies that rewrite others' existences (murder to restart) colours, shapes, sounds and hands gamifying lives, or the biogovernmentality of technics