remix - parasite works - platforms - remix 2007- [remix] the plagiaristic and admission; the masticated world – tenable and affliction – what comprises loathing as a crystallization of individuality – the sucker – stylistics as an entity finds itself referred to entirely in forms foreign to its own, as a colonialistic aestheticization, woodenness, decaffeination the ingathered and bustled into the connoted shakespeare continually writes masterpieces that are never attributed to him – the villagers provoke each other into disbelieving the veracity of the desecrated shakespeare composition the reissuing of the star wars trilogy resparks an interest in shakespeare’s engagement with interplanetary marriage – what is true love is true love tenable and painful are made into a myriad pastiche system – autopoetic originaries look at the unattracted forms and lament a plating and ministerial loaning – causal ridicule and keys swatted what is true in the realm of fakery makes the text and deception permissable – a spotted rabidity which excludes what normalcy makes heterogeneous; reflexivity: the remix reproposes what are anonymous heads, the isolated and overdesirous representing-excerpts are compiled into what is known as the loathing and innovation machine an artifice is never speaking out of itself (contrary to the redeliberated textualist groupings) – rather the construct of fake universes marries with each nothing at all, or a little, something rended and fossilized out of the masticated restriction; stories are mastered and rerecorded with an ensemble cast; the deletorious unbarring of extolling is entangled in the meshes of pavement and the haphazard; the english language, presupposition of community and theft, the triumph of death wills and eminence, compromise, phenol; the painful perplexing, and restriction manifested as the plane of definition – a resistance is spoken of, submersion, disappearance and redistillization. remix writing no longer for style; "writing" style? location. attempt at location. author? a medium. a variety of insufficient possibilities proposed. a flay set of inadequate arrangements. content. "content". medium of the work, or do you already exist in the medium? you haven't been given a choice, at least acknowledge your location. everyone is speaking in code. reply, or don't. the potential man, the non-man behind the screen, the woman pronominally eliminated. language comes, expression is gone before (s/he says). so pictures, movement, a return to a language all too unfamiliar. but something (... "something"?) there are templates of attraction, or collaborative community, there are imminent disappearances, not quite/yet realized: the work isn't about itself, formnameposition, it is an attempt at an external - environment, the locative. noun in specificity. data person eyelid dead in pseudometavir ; anthr(ax)opo(i)d macherdissolut; (anti)catagonia try computer quest awaiting modulation remixcomment panic: wow, you thought the pictures at the urinals were bad... now it's looped video commercial hell! alas, i have to apologize, if my poetry weren't so blatantly designed for commercial consumption, we probably never would've gotten into this mess. though i'm insulted... i'll be damned if my target demographic slips under $80,000; nonetheless, i think we should all send ashley a flashpo thank you card, if nothing else for her obvious appreciation of the work here. lanny quarles http://www.runran.net/remix_runran/ lanny quarles angela genusa zswound adele onji carmen racovitza luke mcgowan animation: geniwate technosphere creates new phenomenality - superintensified. other than that just things (code and hardware) - e-lit is just a transplanted novel